Last
we spoke I believe you were going to go shoot Teen Prom Magazine.
How did that work out? Not if you don't want to.
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![]() Untitled (Chinatown, LA) |
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Are
you so talented as to be able to create a successful web site too? I did the overall look, but of course I did not write the code for the site! |
We
didn’t talk in our interview too much about the specifics
about your portrait work, other than some of the normal challenges
of portrait photography that may only be amplified when the subjects
you are shooting are celebrities. That said, after having worked with
some pretty notable folks, do ever get star struck? Or are you past that at this point? There are completely different issues at work when shooting celebrities and people who are not well known or instantly recognizable. Shooting celebs has the issues of ego, and also trying to get an interesting shot of a person while the publicists are relentlessly interfering….But in a way, I think that sometimes people judge portraits of famous people less harshly since they are often looking at who is in the picture, rather than the picture itself. Images of non-celebrities have to be interesting, since there is no “recognizability factor”. As far as getting star stuck, that does happen sometimes, though at odd times – like when I photographed Bill Gates. It was not his celebrity per se that was so incredible to me, but the fact that This Man Changed History (for better or worse) |
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Alanis Morisette |
How does a photo shoot go down when you are set up to
shoot the likes so an Alanis Morrisette or a Herbie Hancock? Do they show
up with the entourage of agents, PR guys and advertising agents? Or is
it more intimate than that? Entourage for sure. Some larger than others. Usually the more confident the person, the smaller the entourage. I really really wish I could have been around and working in the 60’s or 70’s when an artist and a photographer just got together and took photos – just like that…. |
You are a
pro and can work pretty well in most situations, but in a perfect world,
if a perfect world included famous people needing portraits, what would
be your dream studio setup/situation? Without giving
away any of your secrets how does this kind of work find you? Do have a
rep or did Jakob Dylan just pick your card off the bulletin board by the
automatic doors at the Piggly Wiggly? |
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Herbie Hancock and the original Headhunters, Jakob Dylan, Roy Harper |
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| SKYE | ||||
TATU |
Did
Tatu show up with a Russian/English dictionary or you have to brush
up on your Russian language skills before the shoot? I’ve never
seen a Russian/English dictionary, which is why I ask. |
By
the way you outdid yourself with the photo of Kristan Cunningham
holding the umbrella. Nice shot. Where
you lucky enough to have a rainy day or did you have to fake the rain? That was one of those ideal situations! They were thinking of canceling the shoot because of the rain and I was like, “No no no!!!” |
Kristan Cunningham |
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There
are several photos in your art section (herzco.com) that I had not
seen before. There are a couple of them that want to ask you about,
but first what has been catching your eye these days as you make
your way through the streets of LA? |
So what is the story behind the photo
of the horse? It seems slightly out of character for you and a bit disturbing
on some level. Tell me.
That looks out of character since it is an older shot – I was out walking one day, and was overlooking a horse corral. This horse saw me, and it must have been in a playful mood since it ran over to me, and then rolled in the dust right in front of me. Then it got up and went on its merry way! Since I had NO time to prepare for the shot, I just took it with the camera set up the way it was – so the image was way underexposed, which lends the dreamy otherworldly air to the photo – the lack of detail and context. A lucky shot anotherwords…. |
Equis |
Remind me again where you have to
go so that you are able to find two worlds that are polar opposites of
each other yet so the same in their incredibly bad taste in carpeting?
Divided only by a simple sliding door. [I am jealous]
Oh yeah, that was pretty amazing – the Hilton Hotel in Palm Springs. I call that shot “an uneasy truce”. |
Uneasy Truce |
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Again, I have no idea where you find this stuff; it
has to be real because no one could think of it. Tell me about the photo
of the flowers with the pine tree air freshener attached? Only to be
punctuated by an expertly placed roll of toilet paper. |
Did we talk about flash vs. natural
light? Some of your work is very obviously flash photography. It has
to be a conscious decision on your part. Please explain when, other than
the times when there is not enough natural light, that you feel using
at flash helps accomplish your purposes more than not using it. I ask
because so many photographers seem to avoid using a flash so blatantly
in their fine art work, and if they do they try to hide the fact as much
as possible.
I’ll answer this stuff in response to my art photography only as the commercial work often NEEDS to have complex flash and studio shots set up. In keeping with the sort of surreal / hyperreal feeling I am going after, I like adding a little bit of flash in the daytime to make it just a little bit more unnatural or off balance. |
Alien Branches |
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I
have been thinking a lot about legacy. As an artist I wonder what
I want to have left behind. Do you think about stuff like
that? Do you keep everything you do as a sacred relics? I am getting
to the point where I think I want to burn half the stuff I have sitting
around. What do you want to leave behind? |
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Check out more of Beth's Photography on her web page
Click here to go back to the beginning. |